2023
Hands that collect, manipulate, display, assemble, hold: so many evocations of the gestures that permitted this vast project to take form. In the course of her […]
2022
Seizing time that passes: this is what the video Les cendres d’une montagne (“The Ashes of a Mountain”) offers us. Through experimentation, Amélie Proulx discovered that […]
2021
Paragenèse (Paragenesis) is my second public art project, installed at the Coalia research institute at Cégep de Thetford. The lower part of each module has an […]
2020
Les eaux composées presents a series a nine low-relief tondos made of ceramics. The installation unfolds across the intervention wall in front of the waiting room […]
2020
The installation Les herbes de passage (Écureuils) is part of a series of installations that poetically suggest the phenomenon of zoochory. Here, squirrels are busy gathering […]
2020
The installation Les herbes de passage (Lièvre) is part of a series of installations that poetically suggest the phenomenon of zoochory. Here, a green hare runs […]
2020
The installation Les herbes de passage (Chauves-souris) is part of a series of installations that poetically suggest the phenomenon of zoochory. Here, several bats fly across […]
2020
The installation Les herbes de passage (Hibou, chouette et souris) is part of a series of installations that poetically suggest the phenomenon of zoochory. Here, two […]
2020
Les herbes de passage (Oiseaux) is a mural inspired by the capacity of birds living in urban surroundings to adapt to their environment and profit from […]