{"id":1584,"date":"2014-02-10T21:37:22","date_gmt":"2014-02-10T20:37:22","guid":{"rendered":"http:\/\/amelieproulx.com\/cv\/"},"modified":"2023-07-21T19:52:44","modified_gmt":"2023-07-21T18:52:44","slug":"cv","status":"publish","type":"page","link":"https:\/\/amelieproulx.com\/en\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"\n

EDUCATION<\/h3>\n\n
<\/div>\n\n

2010 – Master of Fine Arts, Nova Scotia College of Art and Design University, Halifax<\/p>\n\n

2006 – Bachelor of Fine Arts with Great Distinction Major in Studio Arts, Minor in Print Media, Concordia<\/p>\n\n

2002 – DEC, post-secondary diploma in Applied Arts, Specialization in Ceramics<\/p>\n\n

1997 – DEC, post-secondary diploma in Visual Arts, C\u00e9gep de Sainte-Foy, Qu\u00e9bec<\/p>\n\n

<\/div>\n\n

SOLO EXHIBITIONS<\/h3>\n\n
<\/div>\n\n

2023 – LES HORIZONS MARQUEURS, Chiguer Art Contemporain, Quebec<\/p>\n\n

2023 – LES HORIZONS MARQUEURS, Salle Alfred-Pellan, Maison des arts de Laval<\/p>\n\n

2021 – LES N\u0152UDS FANT\u00d4MES, Centre d\u2019exposition du Vieux Presbyt\u00e8re, Saint-Bruno-de-Montarville<\/p>\n\n

2020 – LES HERBES DE PASSAGE, Galerie 3, Quebec<\/p>\n\n

2020 – TOPIAIRES D\u2019HIVER, Centre d\u2019exposition de Val-David<\/p>\n\n

2017 – LES \u00c9L\u00c9GIES IMMOBILES, Galerie 3, Quebec<\/p>\n\n

2016 – LES \u00c9LISIONS UTILES, Centre d\u2019artistes Langage Plus, Alma<\/p>\n\n

2015 – ANGLES DE D\u00c9RIVE, CIRCA art actuel, Montreal<\/p>\n\n

2015 – PR\u00c9LUDE POUR PAL\u00c9OBOTANISTES, Espace Parenth\u00e8ses, Quebec<\/p>\n\n

2011 – GLISSEMENTS, Centre Materia, Quebec<\/p>\n\n

2010 – POUSSI\u00c8RES DE LANGAGE, Anna Leonowens Gallery, Halifax<\/p>\n\n

2007 – \u00c9THER, ARPRIM, Belgo Building, Montreal<\/p>\n\n

2005 – FACTICIT\u00c9 LUDIQUE, Redpath Museum, McGill University, Montreal<\/p>\n\n

<\/div>\n\n

SELECTED GROUP EXHIBITIONS<\/h3>\n\n
<\/div>\n\n

2022 – NOVALIS TERRA, Mus\u00e9e de la Piscine, Roubaix, France \u2013 Curator : Marie-France B\u00e9gis<\/p>\n\n

2021 – Virtual exhibition on canadian ceramics at Ceramic Congress \u2013 Curator : Carole Epp<\/p>\n\n

2021 – CE QUI DU MONDE SE PR\u00c9L\u00c8VE PERMET \u00c0 L\u2019\u0152IL DE S\u2019OUVRIR, Virtual exhibition, Collectif 20<\/p>\n\n

2020 – SCULPTURES CONTEMPORAINES, Maison de la culture Claude L\u00e9veill\u00e9e \u2013 Curator : Bernard L\u00e9vy<\/p>\n\n

2019 – PAYSAGES-FRAGMENTS, Maison Tessier-dit-Laplante \u2013 Curator : Anne-Sophie Blanchet<\/p>\n\n

2018 – M\u00c9MOIRES D\u2019ATELIERS, Maison Hamel-Bruneau, Qu\u00e9bec \u2013 Curator : Nathalie Racicot<\/p>\n\n

2018 – ORANGE : \u00e9v\u00e9nement d\u2019art actuel de Saint-Hyacinthe, Expression, Saint-Hyacinthe \u2013 Curators : Marie-\u00c8ve et Isabelle Charron<\/p>\n\n

2018 – L\u2019ART EST VIVANT: DU SAVOIR-FAIRE AUX MATI\u00c8RES, Foreman Gallery, Bishop\u2019s University Curator : Anne-Marie Belley<\/p>\n\n

2018 – EXPATRIATE CERAMICS, Northern Clay Center, Minneapolis, USA \u2013 Curator: Ursula Hargens<\/p>\n\n

2017 – PASS\u00c9 INAPER\u00c7U, Biennale du lin de Portneuf, Portneuf<\/p>\n\n

2017 – CRAFTING THE FUTURE, Craft Council of Newfoundland and Labrador Gallery, St.John\u2019s Newfoundland<\/p>\n\n

2016 – L\u2019ART EST VIVANT: DU SAVOIR-FAIRE AUX MATI\u00c8RES, Maison des arts de Laval, Laval \u2013 Curator : Anne-Marie Belley<\/p>\n\n

2016 – PREMIER ANNIVERSAIRE, Galerie 3, Quebec<\/p>\n\n

2015-17 – NAKED CRAFT, Different exhibition spaces across Canada and Scotland \u2013 Curators : Sandra Alfoldy, Denis Longchamps, Juliette MacDonald, Emma Quin, Arno Verhoeven<\/p>\n\n

2015 – FORAGE, Galerie 3, Quebec<\/p>\n\n

2014 – ONCE + FUTURE: CANADIAN CONTEMPORARY CERAMICS, Red Deer Gallery + Museum, Red Deer \u2013 Curator : Robin Lambert<\/p>\n\n

2014 – TRUE NORTH: CONTEMPORARY CANADIAN CERAMICS, Northern Clay Center, Minnesota<\/p>\n\n

2013-14 – DE LA PORCELAINE \u00c0 L\u2019OEUVRE, Galerie Art M\u00fbr, Montreal, Division Gallery, Toronto \u2013 Curator : Ana\u00efs Castro<\/p>\n\n

2013 – RBC Emerging Artist People\u2019s Choice Award exhibition, Gardiner Museum, Toronto<\/p>\n\n

2013 – HOT MUD : A National Survey of Contemporary Canadian Emerging Ceramists, Burlington Art Centre, Burlington<\/p>\n\n

2012 – SONATE POUR PAYSAGES, (trio) Caravans\u00e9rail, Rimouski \u2013 Curator : \u00c9milie Rondeau<\/p>\n\n

2012 – MATI\u00c8RES ET M\u00c9MOIRES : La terre et ses ma\u00eetres c\u00e9ramistes, Centre d\u2019art de Kamouraska<\/p>\n\n

2012 – REGARD SUR LA C\u00c9RAMIQUE QU\u00c9B\u00c9COISE, Printemps des potiers, Bandol, France<\/p>\n\n

2011 – SUB ROSA, (duo) Mary E. Black Gallery, Halifax<\/p>\n\n

2011 – L\u2019\u00c2GE DE RAISON, CEDAS r3, Trois-Rivi\u00e8res<\/p>\n\n

2010 – APPRIVOISER LA FOUDRE, Nocture 2010 \u2013 Art at Night, Halifax<\/p>\n\n

2010 – I\/O, Eye Level Gallery, Halifax<\/p>\n\n

2009 – PEINTURE FRA\u00ceCHE ET NOUVELLE CONSTRUCTION, Galerie Art M\u00fbr, Montreal<\/p>\n\n

2009 – AURAL FIXATIONS, Port Loggia, NSCAD University, Halifax<\/p>\n\n

2009 – IN RETURN, Sydney College of the Arts, Sydney, Australia<\/p>\n\n

2008 – C\u00c9RAMIQUE 14 PARIS, Mairie du 14\u00e8me arrondissement, Paris, France<\/p>\n\n

<\/div>\n\n

AWARDS, BURSARIES & MENTIONS<\/h3>\n\n
<\/div>\n\n

2022 – Research Grant Conseil des arts et des lettres du Qu\u00e9bec, CALQ<\/p>\n\n

2021 – Recipient of Prix Videre awarded by Manif d\u2019art, Qu\u00e9bec<\/p>\n\n

2019 – Research Grant, Canada Council for the Arts<\/p>\n\n

2018 – Research Grant Conseil des arts et des lettres du Qu\u00e9bec, CALQ<\/p>\n\n

2016 – Winifred Shantz Award for Ceramics, The Canadian Clay and Glass Gallery, Waterloo<\/p>\n\n

2016 – Research Grant Conseil des arts et des lettres du Qu\u00e9bec, CALQ<\/p>\n\n

2014 – Research Grant, Canada Council for the Arts<\/p>\n\n

2013 – Recipient of the RBC Emerging Artist People\u2019s Choice Award, Gardiner Museum, Toronto<\/p>\n\n

2013 – Grant for Fine Craft, Soci\u00e9t\u00e9 de d\u00e9veloppement des entreprises culturelles, SODEC<\/p>\n\n

2012 – Creation Grant, Conseil des arts et des lettres du Qu\u00e9bec and Conf\u00e9rence r\u00e9gionale des \u00e9lus<\/p>\n\n

2012 – Bourse du programme d\u2019aide aux m\u00e9tiers d\u2019art, Soci\u00e9t\u00e9 de d\u00e9veloppement des entreprises culturelles, SODEC<\/p>\n\n

2011 – Production Grant, Canada Council for the Arts<\/p>\n\n

2010 – Honourable Mention for the Outstanding Student Achievement in Contemporary Sculpture Award, International Sculpture Center, Hamilton, New Jersey, USA<\/p>\n\n

2010 – Starfish Properties Student Art Award, NSCAD University, Halifax<\/p>\n\n

2008 – Master\u2019s studies Scholarship, Fonds qu\u00e9b\u00e9cois de recherche sur la soci\u00e9t\u00e9 et la culture (FQRSC)<\/p>\n\n

2007 – CGS Master\u2019s Scholarship, Social Sciences and Humanities Research Council of Canada (SSHRC)<\/p>\n\n

2006 – Prix Albert-Dumouchel 2006, ARPRIM, Montreal<\/p>\n\n

2006 – Betty Goodwin Prize in Studio Arts, Concordia University, Montreal<\/p>\n\n

<\/div>\n\n

INTERNSHIP & RESIDENCIES<\/h3>\n\n
<\/div>\n\n

2022 – MAKE \u2013 Mid-Atlantic Keramik Exchange, Islande<\/p>\n\n

2022 – M\u00c9TAc\u00e9ramique, Rozynski Center, Ayer\u2019s Cliff<\/p>\n\n

2022 – Artist-in-residence at Centre SAGAMIE, Alma<\/p>\n\n

2022 – R\u00e9sidence d\u2019exploration des outils num\u00e9riques, Chambre Blanche, Quebec<\/p>\n\n

2021 – M\u00c9TAc\u00e9ramique, Rozynski Center, Ayer\u2019s Cliff<\/p>\n\n

2017 – Artist-in-residence at Kohler Co. Wisconsin, USA <\/p>\n\n

2016 – Artist-in-residence at Centre SAGAMIE, Alma<\/p>\n\n

2015 – Artist-in-residence at Guldagergaard International Ceramic Research Center, Denmark<\/p>\n\n

2014 – Artist-in-residence at European Ceramic Work Centre (sundaymorning@ekwc), The Netherlands<\/p>\n\n

2013 – Artist-in-residence at Avatar, Avatar, Quebec<\/p>\n\n

2013 – Artist-in-residence at l\u2019\u0152il de Poisson\u2019s production centre, l\u2019\u0152il de Poisson, Quebec<\/p>\n\n

2013 – Artist-in-residence, Maison des m\u00e9tiers d\u2019art de Qu\u00e9bec, Quebec<\/p>\n\n

2011 – Artist-in-residence from January until May 2011, Maison des m\u00e9tiers d\u2019art de Qu\u00e9bec, Quebec<\/p>\n\n

2010 – Media Arts Scholarship Program, Centre for Art Tapes (CFAT), Halifax<\/p>\n\n

2010 – CFAT Electronics lab Residency, Centre for Art Tapes, Halifax<\/p>\n\n

2006 – Printmaking residency, Frans Masereel Centrum, Belgium<\/p>\n\n

<\/div>\n\n

COLLECTIONS<\/h3>\n\n
<\/div>\n\n

Collection permanente du Mus\u00e9e national des beaux-arts du Qu\u00e9bec, Collection Pr\u00eat d\u2019oeuvres d\u2019art du Mus\u00e9e national des beaux-arts du Qu\u00e9bec, Canadian Clay and Glass Gallery, Art Gallery of Burlington, Ville de L\u00e9vis, Ville de Qu\u00e9bec, Collection permanente de l\u2019Universit\u00e9 NSCAD, Biblioth\u00e8que et Archives Nationales du Qu\u00e9bec, ARPRIM \u2013 Regroupement pour la promotion de l\u2019art imprim\u00e9, Collection permanente de l\u2019Universit\u00e9 Concordia and several private collectors.<\/p>\n\n

<\/div>\n\n

BIBLIOGRAPHY<\/h3>\n\n
<\/div>\n\n

2021 – CE QUI DU MONDE SE PR\u00c9L\u00c8VE PERMET \u00c0 L\u2019\u0152IL DE S\u2019OUVRIR (catalogue) essays written by Collectif 20<\/p>\n\n

2020 – Un air d\u2019\u00e9t\u00e9 avec BGL et Am\u00e9lie Proulx, (daily newspaper), article written by Josianne Desloges, Le Soleil, November 29th 2020<\/p>\n\n

2020 – L\u2019artiste Am\u00e9lie Proulx cr\u00e9e des sculptures en porcelaine (newspaper) article written by Aude Malaret, Le journal de L\u00e9vis, December 4th 2020<\/p>\n\n

2015 – Hot Jobs \u2013 (magazine), article written by Alison Cooley, Canadian Art, Winter 2015 p.80<\/p>\n\n

2014 – Prix Gardiner \u2013 Un prix pour Am\u00e9lie Proulx, (magazine) article written by Pascale Nobecourt, La revue de la c\u00e9ramique et du verre, No. 194 Janvier-F\u00e9vrier, p.79 <\/p>\n\n

2013 – Le r\u00e9cit actuel de la c\u00e9ramique, (daily newspaper), article written by \u00c9ric Cl\u00e9ment, La Presse, November 20 2013<\/p>\n\n

2013 – \u00c9clats vivants de porcelain, (web), article written by Brigitte Manolo, Voir.ca, November 17 2013<\/p>\n\n

2013 – Casser une noble image \u2013 La porcelaine comme mat\u00e9riau dans la cr\u00e9ation actuelle, (daily newspaper) article written by J\u00e9r\u00f4me Delgado, Le Devoir, November 16 2013<\/p>\n\n

2013 – Exposure, (magazine), Ceramics Monthly, November 2013 20<\/p>\n\n

2013 – De la porcelaine \u00e0 l\u2019oeuvre (catalogue) essay written by Ana\u00efs Castro, Galerie Art M\u00fbr<\/p>\n\n

2013 – Am\u00e9lie Proulx wins $10,000 RBC Emerging Artist People\u2019s Choice Award (web), article written by Leah Sandals, Canadian Art<\/p>\n\n

2013 – Hot Mud: A National Survey of Contemporary Canadian Emerging Ceramists (catalogue), essay written by Alan Elder, Burlington Art Centre, Burlington<\/p>\n\n

2013 – Galeries et centres d\u2019artistes \u2013 Changement de cycle (newspaper), article written by Marie-Eve Charron, Le Devoir<\/p>\n\n

2013 – Les prouesses d\u2019Am\u00e9lie Proulx (magazine), essay written by Pascale Nobecourt, La revue de la c\u00e9ramique et du verre, No.189, Mars-Avril 2013, p.32-34<\/p>\n\n

2012 – Sonate pour paysages, (catalogue) essay written by \u00c9milie Rondeau, Caravans\u00e9rail, Rimouski<\/p>\n\n

2011 – Am\u00e9lie Proulx, Barbara Sutherland and ideas of translation, (catalogue), essay written by Jan Peacock, Mary E. Black Gallery, Halifax<\/p>\n\n

2010 – Slip: Awakening Metaphor in the ceramics of Am\u00e9lie Proulx (magazine) essay written by Robin Metcalfe, Studio, Fall\/Winter 2010 32-34<\/p>\n","protected":false},"excerpt":{"rendered":"

EDUCATION 2010 – Master of Fine Arts, Nova Scotia College of Art and Design University, Halifax 2006 – Bachelor of Fine Arts with Great Distinction Major [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/amelieproulx.com\/en\/wp-json\/wp\/v2\/pages\/1584"}],"collection":[{"href":"https:\/\/amelieproulx.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/amelieproulx.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/amelieproulx.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/amelieproulx.com\/en\/wp-json\/wp\/v2\/comments?post=1584"}],"version-history":[{"count":6,"href":"https:\/\/amelieproulx.com\/en\/wp-json\/wp\/v2\/pages\/1584\/revisions"}],"predecessor-version":[{"id":1591,"href":"https:\/\/amelieproulx.com\/en\/wp-json\/wp\/v2\/pages\/1584\/revisions\/1591"}],"wp:attachment":[{"href":"https:\/\/amelieproulx.com\/en\/wp-json\/wp\/v2\/media?parent=1584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}